Have you ever ever watched a TV collection and, about midway by an episode, immediately knew this was particular? That this was the episode the place a present you had been having fun with leveled as much as change into a contemporary basic? The Last of Us did that. Battlestar Galactica. Misplaced. All the good ones do it. And now The Penguin has done it too. The present’s fourth episode, “Cent’anni,” flips your entire emotional resonance of the present with a stunning, horrific, however sensible episode of tv centering on Sofia Falcone (Cristin Milioti) and, holy crap. It’s superb.
Before this episode, we weren’t fairly certain what to think about Sofia. We knew that she was in Arkham as a result of she’d been accused of killing a number of ladies, which earned her the nickname “The Hangman.” We knew Oz (Colin Farrell) was afraid of her, however we assumed it was largely as a result of she was the top of the household he was attempting to take over. And, we thought, Oz had efficiently satisfied her he didn’t kill her brother, despite the fact that he did. Mainly, The Penguin wished us to see Sofia as an intimidating however emotionally unstable and malleable villain. No extra. Now that we’ve realized precisely who she is and the way she obtained there, she’s clearly change into probably the most fascinating character on the present.
At the end of the last episode, “Bliss,” we noticed Victor smash his automotive to save lots of Sofia and Oz from the Maroni crime household. Solely, Oz advised Victor to depart Sofia, which on the time appeared bizarre as a result of they’d been aligned. Effectively, within the first unbelievable little bit of storytelling in episode 4, we be taught that Sofia is lastly advised it was Oz who killed her brother, so his abandoning her turns into an entire different factor. It’s a revelation we assumed was coming sooner or later however to search out out this manner added some fascinating context.
However that was just the start. From there, we dive into the previous the place we meet a youthful, happier Sofia alongside together with her father, crime boss Carmine Falcone (performed right here by Mark Robust, who took over for John Turturro who played the character in The Batman), and her brother, Alberto (Michael Zegen). The household appears fairly completely happy and Carmine even tells Sofia that, regardless of her older brother, he’s going to depart the household enterprise to her. Massive Home of the Dragon vibes.
In fact that doesn’t go to plan. Sofia finds out that somebody—later revealed to be her father—has been killing ladies and protecting up the crimes as suicide, going all the best way again to Sofia and Alberto’s mom. Sofia learns this in what she assumes to be non-public however her driver, Oz, rats her out.
It’s a betrayal to make certain—however at this level, you’re nonetheless seeing it from Oz’s perspective. It’s not till later that we understand Oz was the one who began an unfathomable chain of occasions for Sofia. Based mostly on Oz’s intel, Carmine confronts Sofia about her findings and, when she even hints that perhaps her dad killed the ladies, every little thing adjustments. He frames her for the murders, sends her to Arkham, and makes it so she’ll by no means ever get out.
Having her father betray her so rapidly and brutally was fairly unhealthy. However after we be taught that Sofia’s whole household—minus her brother—lied about her psychological situation to maintain her there, you actually really feel horrible for her. Then, you are feeling worse and worse because the episode goes full Requiem for a Dream with the medical doctors and inmates of Arkham additionally seemingly in on the plan to make the levelheaded, good Sofia into the violent, loopy assassin her father lies about. The violence and betrayal appear unending and, later, we be taught it went on for 10 years.
As we watch the harmless Sofia endure each psychological and bodily horrors—all of which began with Oz—your perspective begins to shift. Is Oz actually the principle character of this story as a result of he’s a well-known Batman villain? He’s only a former driver greedy for energy. Or is the principle character the rightful inheritor to the throne, betrayed by nearly everybody she liked, who fights her manner out of hell to come back again? That’s, by far, the extra fascinating story. And as soon as The Penguin comes out of the flashback and again to the current, it’s a distinct present.
Now we’re on Sofia’s aspect. We need to see her get revenge. We’re enraged that Oz killed Alberto, the one member of the family who believed in and fought for Sofia. We’re determined for her to get revenge on her aunts and uncles, and boy does she, with a unbelievable ultimate scene as she murders nearly everybody in the home with out lifting a finger. Chef’s kiss.
Written by John McCutcheon and directed by Helen Shave, “Cent’anni” isn’t simply the perfect episode but of The Penguin, it’s the most effective episodes of TV of the yr. This write-up barely scratches the floor of all of the unbelievable decisions it makes (the wallpaper! The fork! The cake!) or, most significantly, Milioti’s efficiency which is completely award-worthy. The truth is, the episode was so good, I’m now absolutely Workforce Sofia. They need to rename the present “Falcone.”
The Penguin is now streaming on Max.
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